Η Βικιπαίδεια δεν έχει ακόμη άρθρο για αυτόν τον συγγραφέα σε αυτή τη γλώσσα. Παρακάτω, το κείμενο στα αγγλικά.
Mathilde Blind (born Mathilda Cohen; 21 March 1841 – 26 November 1896), was a German-born English poet, fiction writer, biographer, essayist and critic. In the early 1870s she emerged as a pioneering female aesthete in a mostly male community of artists and writers. By the late 1880s she had become prominent among New Woman writers such as Vernon Lee (Violet Paget), Amy Levy, Mona Caird, Olive Schreiner, Rosamund Marriott Watson, and Katharine Tynan. She was praised by Algernon Charles Swinburne, William Michael Rossetti, Amy Levy, Edith Nesbit, Arthur Symons and Arnold Bennett. Her much-discussed poem The Ascent of Man presents a distinctly feminist response to the Darwinian theory of evolution.
Early life
Blind was born in Mannheim, Germany, the older child of a banker named Jacob Abraham Cohen and his own second wife, born Friederike Ettlinger. She had a brother, Ferdinand, two half-brothers (Meyer Jacob "Max" Cohen, from his father's first marriage, and Rudolf, from the marriage of Friederike and Karl Blind), and a half-sister, Ottilie, also from the marriage of Friederike and Karl Blind. Cohen died in 1848, the same year her mother remarried to Karl Blind, who was involved in the Baden insurrection of 1848. They immigrated to London in 1852, and it was around the time of the move that she took her stepfather's name.
In London, Blind attended the Ladies' Institute, St John's Wood, where she was a friend of future novelist Rosa Nouchette Carey. Much of the evidence for this period in Blind's life is contained in a 55-page typescript in the British Library, a fragmentary story of a precocious, rebellious girl who is expelled from the Ladies' Institute for her freethinking, and who then travels to Switzerland for a long stay with maternal relatives in Zürich, before embarking on an unaccompanied walking tour through the Alps – highly unusual at that time for a single woman. The protagonist's name in the typescript is Alma, but her experiences parallel closely those of Blind herself, and some of the names in the Zürich section of the narrative are those of people Blind actually knew in her adolescent years.
