Calcedonio Reina

Calcedonio Reina (4 February 1843, in Catania, Sicily – 9 November 1911, in Catania) was an Italian painter and poet. He is described as having a melancholic and neurasthenic temperament in life and art.

Biography

His father, Euplio Reina, was a prominent physician, scientist and philanthropist in Sicily who wanted his son to follow him into a medical career. In 1864, before Calcedonio moved to Naples to attend the Institute of Fine Arts, his father recommended him to Francesco Di Bartolo, a Catanese engraver already established in the Neapolitan artistic milieu.

The recommendation reflected the relationship of trust between Euplio Reina and Di Bartolo: years earlier, Reina had recognised the young artist's vocation for engraving and had helped him obtain a municipal grant to study engraving in Naples. Di Bartolo became an early point of reference for Calcedonio within the Neapolitan art world, and their relationship developed into a lifelong personal and artistic friendship.

In Naples, Calcedonio soon found himself making copies of the classic sculptures in the Capodimonte Museum. He was accepted as a pupil by the Institute of Fine Arts under Domenico Morelli. Soon afterwards he travelled to Florence and Rome, prolifically painting interiors and vedute of ruins and making drawings of statues and busts. His paintings include Il Cieco pompeiano (The Blind Man in Pompeii); Suor Clara sedotta dal demonio (Sister Clara Seduced by a Demon); and Una scena dell'89 (A Scene from 1889).

At the 1877 National Fine Arts Exhibition in Naples, he exhibited Accaduto nel coretto (The Correct Man's Accident); Miserere; Exagitatio (Agitation); and Ada. In 1881 at Turin, and the next year at Milan, he exhibited Amore e morte (Love and Death) — showing a couple having a loving kiss in front of the rows of mummified corpses in Palermo's Catacombs of Cappuccini, it is a morbid, almost ghoulish, variation on Hayez's The Kiss.